By Ekatmata Sharma
Mumbai, Jul 18 (IANS): When “Bandish Bandits” was launched on OTT final 12 months, it got here as a contemporary breath of air for music aficionados. Giving the most effective of each worlds, Shankar-Ehsaan-Loy’s music was a deal with for each Hindustani music lovers in addition to pop music addicts. Music was at all times an integral a part of Indian cinema, however now the idea of 5 songs and a plot in Hindi movies had a competitor. With the appearance of OTT, long-form content material has been king. Music has slowly gained prominence in streaming reveals, woven as background rating or with songs being positioned if the script requires.
Amidst dozens of internet reveals launched each month in India, there have been a number of which were in a position to retain the Indian tradition of songs in a narrative.
In “Little Issues” the theme music “Pause”, sung by Prateek Kuhad, was soul-stirring, and stayed with the viewers due to Kuhad’s reputation quotient.
“Damaged However Stunning” garnered immense reward for music. The 4 melodious songs within the sequence had been sung by Akhil Sachdeva, Amaal and Armaan Malik, and Anusha Mani.
“4 Extra Pictures Please!” gave many peppy in addition to calming numbers sung by Darshan Raval, Saachi Rajadhyaksha, Medha Sahi, and Zoe Siddharth.
“Fittrat” had a combined bag of songs by Altamash Faridi, Jonita Gandhi, Sharvi Yadav, and Sandman.
Shankar Mahadevan shares the sort of expertise he had whereas creating music for the online sequence “Bandish Bandits”.
“It was one of many crucial initiatives in our careers. It took us two years to compose its music. It was a mammoth undertaking. It was like doing three to 4 movies back-to-back. There was plenty of music woven into the script, and the script was developed based mostly on the music. We received this wonderful spectrum to compose — from classical to thumri to tarana to pop to virah to music competitors to instrumental piece to Rajasthani people. There have been so many variations in a single undertaking. The place do you get an opportunity to experiment a lot?” Shankar tells IANS. The trio of Shankar-Ehsaan-Loy will compose music in a slew of upcoming internet sequence.
“Bandish Bandits has some nice songs, appreciated by many. This appears to occur rather less with movie songs on these platforms,” says playback singer Apeksha Dandekar. She has sung songs in movies like “Zubaan”,”Aatma” and “All the time Kabhi Kabhi”.
Singer Shilpa Rao, who has sung songs in movies “Ludo” and “Mimi”, has upcoming initiatives with the most effective digital platforms. She believes that OTT has given an opportunity to the music trade to create distinctive music content material with the leverage of time in hand.
She says: “It’s enjoyable to be a part of the digital house. Music has the ability to adapt itself. OTT is giving an opportunity for creators and artistes with the magic of time. Earlier, if in a single weekend a movie music didn’t make it then it was completed. We’ve got gone again to the time the place individuals took their very own candy time to love one thing. It’s giving the listeners and creators time to heat as much as at the least have a really feel. I hope that this can hold going.”
Shilpa has given hits like “Ghungroo” (“Battle”), “Bulleya” (“Ae Dil Hai Mushkil”), “Malang” (“Dhoom 3”), “Anjaana Anjaani” (“Anjaana Anjaani”), “Khuda Jaane” (“Bachna Ae Haseeno”), “Javeda Zindagi” (“Anwar”).
Agrees “Indian Idol” singer Abhijeet Sawant: “Musicians have gotten another platform to launch music. The small music administrators can get a greater publicity and cash for his or her music.”
Whereas, Apeksha is of the point of view: “OTT reveals might enable publicity of recent skills in music that folks might not in any other case hear in theatres. I assume it simply opens up the music scene as there’s more room to discover extra genres, due to the huge quantity of reveals on OTT platforms.”
Each Shankar and Shilpa are avid watchers of the content material on OTT and strongly imagine that digital platforms have modified the consumption sample.
Shilpa says, “Music is an experiential type of artwork. From the reside auditorium performances to the digital platform, music could be very malleable. I’m an avid watcher of content material and I am unable to do with out one watch a day.”
Shankar believes that music has to match the content material on OTT. “Though the sequence is gripping, I feel they will focus extra on the musical content material as a result of this shall be a terrific alternative to place out some nice music that’s going to remain for a really very long time. They will have higher songs on OTT. I’m fully hooked on all the online sequence that come out of our nation like “Mirzapur” or “Household Man”. OTT is a tremendous medium,” expresses Shankar.
On OTT, long-form content material is the principle promoting level. The expertise in cinema halls is about viewing a music primarily. Listening to a music is extra of a personalised expertise, which OTT supplies. “Cinema music may be a one-time expertise, however the principle attachment with a music is on the telephone when you’re driving or when you’re at dwelling. It comes all the way down to the truth that individuals ought to gravitate to issues that they like, not compelled to,” believes Shilpa.
Nonetheless, there’s a sect that strongly believes that movie music has its personal attraction and it is not going wherever.
Gaurav Balani of “Parikrama” and “Inalab” bands says: “I do not assume OTT can compete with Bollywood. There’s positively been a shift within the ‘energy construction’, however Bollywood music nonetheless stays pretty distinguished merely as a result of sort of promotional attain it accommodates.”
“I feel movie songs are nonetheless doing nicely regardless of the OTT tradition and should even present extra accessibility to individuals. Nonetheless, I do really feel that there’s an atmosphere in theatres that can not be recreated at dwelling. Additionally, movie songs in theatres are inclined to get higher promotion and publicity versus getting saturated on OTT platforms,” tells Apeksha.
Agrees Abhijeet: “I do not assume OTT has reached to movie music degree. On OTT the music is only situational. So, it is tough to really examine movie music verses OTT music.”
Nonetheless, he believes that movie music is fading by some means. “Music firms have gotten one other technique to earn more cash by way of non-film music. We’ve got to attend n watch until the movies are getting launched in theatres,” says Abhijeet.
Nonetheless, Apeksha believes promotion performs an vital function in music reputation. “Once more, this will depend on the promotion that the music receives. In truth, the viewers could also be broader however I do not assume the music of movies can ever actually die. Possibly it simply takes extra of a push to get all of the music concerned on completely different OTT platforms seen.”
“Movie music is not ‘dying’ essentially however it’s evolving for certain,” indicators off Gaurav.