Story: A daring, risk-taker, Sulaiman, is eager to deliver optimistic improvement to his coastal city, however crime generally is a slippery slopeSome movies and books will be tough to get hooked onto within the early phases. They begin off with a lot depth that it may possibly really feel like an excessive amount of and too tough to hold on. And but, there can be one thing within the characterisation, plot or language that holds your curiosity simply sufficient after which goes on to offer a rewarding expertise. Malik provides you that sense, although it doesn’t absolutely ship on the expertise.The movie, written, directed and edited by Mahesh Narayanan, begins with the portrayal of aged protagonist Sulaiman Ali Ahammad, performed by Fahadh Faasil, who is ready to go on Haj. A group chief who has developed the coastal space of Ramadapally, he has to deal with tensions and tough conditions even amid the preparations for the pilgrimage. However his spouse Rosaline, who appears a drive in her personal proper, is adamant that he use the Haj to indicate that he’s making a break from his shady previous.Full of motion, characters and conflicts – within the household, group and with politicians – the primary scene makes for a heavy begin. However Fahadh and Nimisha are actors who, if something, are able to grabbing and holding on to your consideration. And because the scene adjustments, the story begins to stream in a extra understandable method.Travelling in a non-linear trend, the drama seems to be at how politicians manipulate the system and folks to create tasks that destroy communities and the land, whereas lining their pockets. Whereas the police arrest Sulaiman earlier than he leaves for Haj and we wait to see how that performs out, the movie showcases the youthful Sulaiman, who begins out as a smuggler and a daring risk-taker, who can also be eager to work for the neighbouring Muslim and Christian communities in his backward coastal space. However crime is a slippery slope and whereas the locals look as much as him, the forms is obliged to take motion in opposition to his unlawful actions. And after they discover it tough, we see how the political system ruthlessly places brother in opposition to brother.At a working time of 160 minutes, there are moments when the movie lags and bits that appear a little bit of a stretch and unclear, such because the firing when Sulaiman’s younger son is killed. However the principle plot which centres on the police attempting to place an finish to the Sulaiman downside is suspenseful and attention-grabbing. Mahesh Narayanan, who has given us attention-grabbing tasks, corresponding to Take Off, might have saved the story tighter. Sanu Varghese’s cinematography is an attractive steadiness of gritty and picturesque. Whereas the main pair are good, significantly of their older avatars, the supporting forged of primarily Joju George, Dileesh Pothen and Indrans add high quality to the movie.The movie is a bit lengthy and has some complicated bits, however on the optimistic aspect, Malik displays necessary problems with our instances in a compelling method; politicians manipulating folks – because of our system, this theme will be explored in a number of alternative ways – minority communities dealing with a troublesome time getting forward, and folks being pitted in opposition to one another. In these conflicted instances, these are tales that must be informed.